WHO WE COME BACK TO

A lasting approach

The founder of Blank Slate Studio on finding like-minded collaborators, designing with natural materials and a love of collectable pieces.

Blank Slate at The-Specified's London showroom in the Design Centre Chelsea Harbour - SCHEME

We come back to people who share our values. We want to create pieces for our projects that feel like heirlooms rather than anything disposable; something that’s right for now and continues to feel right years from now. It might be somewhere like a tiny antiques dealer in Italy we visited recently. The collection wasn’t beautifully polished and curated, just shelves and shelves of pieces, all one of a kind and so beautiful. Or showrooms we return to in London, where we’re based. It’s about finding like-minded collaborators whose philosophy mirrors our own. Where every piece, antique or new, is classic and enduring.

“For us, it’s about creating something that’s right for now and continues to feel right years from now.”

Bari Jerauld, Founder, Blank Slate Studio
Blank Slate designed kitchen and seating area, London, UK - SCHEME
A calm kitchen and seating area by Blank Slate Studio, with a mix of old and new. Photography by Nico Wills.

A shared language

A supplier we always come back to is The Specified. They are all-encompassing; we use a lot of their fabrics and rugs, and now with their new showroom showcasing their lighting they are like a one stop shop. Everything is relaxed and pared back. There’s a nice story behind each of the makers they represent. It’s important to us; when we are explaining the pieces we are putting into projects, it’s nice to have a narrative to share with the client. More and more we’re selecting all natural materials and using those to create pieces that last, so their approach really suits us.

Blank Slate designed bedroom, London, UK - SCHEME
Blank Slate living room, London, UK - SCHEME
Bespoke curtains in a bedroom, and sofa and ottoman in a sitting room, all in LF Fabrics, sourced from The Specified. Photography by Nico Wills.

“More and more we’re selecting all natural materials.”

Bari Jerauld, Founder, Blank Slate Studio

We love the 100% linens from LF Fabrics, which we use across upholstery and sheers in our projects. They just fit us perfectly, in terms of what we like to put into interiors: all natural fibres, relaxed, comfortable and calming. We use Armadillo a lot too – their jute rugs appear across almost all of our projects. They are incredibly durable, exceptionally versatile and can go anywhere. Their Eden rug in particular has become a constant in our work; it’s great for family life but also suits somewhere more elevated.

Blank Slate pool house project, Hampstead, London, UK - SCHEME
Blank Slate pool house project, bathroom, Hampstead, London, UK - SCHEME
Play of light and texture, including a jute and wool Armadillo rug from The Specified, in Blank Slate Studio’s Hampshire pool house project. Photography by Felix Speller.

We think about lighting as something that shapes how a space is experienced.

Bari Jerauld, Founder, Blank Slate Studio

The LA house was for a returning client. It was very contemporary, with a strong indoor-outdoor connection. We focused on adding texture and warmth through timber, linen, wool and jute, layering in lighting. We often style projects with pieces from our studio, and clients will say, “Please leave it, we’ll buy these off you.” They’re all one-of-a-kind objects, so it’s always slightly hard to let them go! Those pieces, like our network of makers, reflect the way we like to work: everything is built around the same language of natural materials, beauty and longevity.

The Edit

LEARN MORE ABOUT THE SPECIFIED
A smooth, oval-shaped stone with a rough, cratered surface and a mix of light brown and dark brown tones, set against a plain white background.

The Specified

Ocean Stones

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The Specified-Agra – Artichoke

The Specified

Agra – Artichoke

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A tall, hexagonal white lampshade rests on four thin black legs, standing on a blue rug in a minimally decorated room with unfinished beige walls and a visible electrical cord on the floor.
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A modern wall sconce with a curved, metallic bronze finish mounted on a white wall, casting a warm, ambient light upward.

The Specified

Elbow Wall Light

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The Specified-Reed-Natural by Armadillo

The Specified

Reed | Natural By Armadillo

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The Specified-Iris-Hook-Satin-Nickel-by-Spaces-Within

The Specified

Iris Hook | Satin Nickel By Spaces Within

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The Specified-George-Tuscan-Beige-by-LF-Fabrics

The Specified

George | Tuscan Beige By LF Fabrics

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The Specified-Aerie – Coconut

The Specified

Aerie – Coconut

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The Specified-Joelle-Ghost-White-by-LF-Fabrics

The Specified

Joelle Ghost White By LF Fabrics

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The Specified-Doyen-By-Spaces-Within

The Specified

Doyen By Spaces Within

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The Specified-Eden-Abalone-by-Armadillo

The Specified

Eden | Abalone By Armadillo

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Bronze sculpture featuring a cylindrical shape wrapped with spiral ridges, mounted on a rounded base, set against a plain light gray background.

The Specified

Croissant Natural Bronze

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