OCTOBER SOURCING Layering a room for autumn The light turns in October, and rooms that worked through the summer can begin to look thin. Colours go first: what was a softer shade in June can fall flat under a lamp, and brights lose their intensity. But all is not lost: texture holds low light, pattern comes forward once the curtains are drawn, and layers give more back. Emma O'Rourke Scheme Editorial team October 9, 2026 | 4 min read The collections below were chosen with the shifting autumn light in mind. Each brings something a room needs as the light drops, colour that deepens rather than fades, pattern drawn from old archives, and forms made to catch the lamplight. Together, they show how a room can gain its layers and carry itself through the darker months Cathy Nordström | The story behind Trove Textile designer Cathy Nordström bought a box at auction without knowing quite what she was buying. Inside was a collection of books, museum archives and craft references. “As I started flicking through the books . . . I quickly realised what an extraordinary treasure I had in front of me” says Cathy. That unexpected discovery became the starting point for her new collection, Trove. Colours Tobacco, Khaki, Harvest and Fudge sit alongside Desher Red, Seafoam and Dusty Blue. The papers are surface-printed in Sweden at Ulricehamns Tapetfabrik, wet-in-wet, allowing the colours to run into one another for a hand-painted effect, beautiful under lamplight. Left, a bedroom layered in small-scale print and warm lamplight, right, Cathy Nordström working through the archive that became Trove “As I started flicking through the books… I quickly realised what an extraordinary treasure I had in front of me.” Cathy Nordström, Founder, Cathy Nordström Cathy Nordström Ingrid Fudge Cushion Cover – 50x50cm £145 Cathy Nordström Wallpaper – Rakel Stripe – Dusty Blue £120 Cathy Nordström Dutch Dot Tobacco Lampshade – Small £100 Cathy Nordström Iteru Fabric – Harvest £120 Inchyra | The Labeaume Collection The Labeaume Collection, recently released by Inchyra, draws inspiration from an archive of antique textiles and documents collected by founder Caroline Inchyra. Printed on pure linen and wool, its colours and designs rework the references with a relaxed, fresh sensibility. “In 100 years I would like to think that Inchyra fabrics will still be here, having become the antique textiles of their day,” says Caroline. The patterns are designed to build on one another, particularly rewarding as the light changes and a room starts to rely more on its layers. Inchyra's Labeaume Collection under the eaves, where a gathered canopy, floral headboard and pleated shades show how its patterns are made to build on one another. “In 100 years I would like to think that Inchyra fabrics will still be here, having become the antique textiles of their day.” Caroline Inchyra, Founder, Inchyra Inchyra Labeaume Linen Cushion | Cherrywood | 45 x 45cm £240 Inchyra Fabric – Labeaume Posy Linen / Cherrywood Enquire Inchyra Trim – Labeaume Gimp / Mustard Enquire Inchyra Fabric – Daisy Inverse Linen / Teal Enquire Amy Kent | Introducing her collaboration with Julian Chichester A new design by Amy Kent, made in collaboration with furniture designer Julian Chichester, the Tapa rug brings a bold, graphic pattern to a statement wool flatweave. “My collaboration with Julian – whose creative mind is endlessly inspiring – has been a complete joy,” says Amy. Hand-woven in India, the absence of a pile keeps the pattern even and clear. Available in rich orange and green or softer caramel, it can be made bespoke to any size and colour. A warm, grounding layer of caramel underfoot, the Tapa rug's hand-drawn forms answering the curve of the arches. Photography by Shortwork Photography. “My collaboration with Julian – whose creative mind is endlessly inspiring – has been a complete joy.” Amy Kent, Founder, Amy Kent Rugs The Specified | Louise Roe at The Specified The Specified has recently taken on Copenhagen-based designer Louise Roe, whose collection brings together sculptural forms in glass, ceramic and stone. Each piece is first modelled in wax before being translated into its finished material, giving the collection a considered relationship between shape, colour and surface. She describes the collection – with each piece beginning with a need or a question – as “almost like a balancing act: a small choir.” Louise Roe at The Specified, where rounded timber absorbs the low light and soft metal reflects it back “It often begins with a need or a question…It’s almost like a balancing act: a small choir of corresponding colour and shape.” Louise Roe Andersen, Founder, Louise Roe The Specified Eight Over Eight Grande Enquire The Specified Pillabout Office Table 01 Enquire The Specified Moon Lantern Enquire The Specified Funki Stool 02 Enquire Pieces chosen for the part they can play in the change to autumn: lighting to warm the room, a chair that draws you in, layers of pattern in the evening light. There are new ways to look at a room as the season changes – a little more texture, more comfort, and plenty to hold interest once the lamps are on. Finds this autumn VIEW MORE IN THE LIBRARY Sigmar Caned Oak Chair, Denmark 1950s £900 Trove by Studio Duggan Tiger Console Shelf, Striped Burr, Natural £2,300 Inchyra Fabric – Labeaume Linen / Mustard Enquire Passé The Store Pair of Barovier & Toso Murano Wall Lights £1,800 Inchyra Daisy Linen Frilled Cushion / Fern Enquire Wondering People Confident Cowboy £2,050 Maud Vaughan French Folding Tapestry Screen, Early 20th Century £1,200 OTZI Kist Storage Bench Enquire Collins & Green Art Kitch Roses £255 Bloomfield Ink Purslane – Eat Your Greens Enquire Trove by Studio Duggan Pair of Magdalena Wall Sconces by Augustine Ceramics £1,790 Cathy Nordström Ingrid Fudge Cushion Cover – 50x50cm £145