WHY WE DO THINGS THE HARD WAY

Building a collection

Annalise Holasz, the founder of vintage art gallery Hue + Holasz, on how a collection takes shape, trusting a first impression, and the pieces that become part of everyday life.

Annalise Holasz stands in the Hue + Holasz studio, Bath, UK, holding a textured French vintage oil painting

The biggest shift in my collecting came when I discovered the Swedish mid-century market. Until then, I knew I liked vintage oil paintings, but I hadn’t really found my thing. Suddenly I was seeing paintings I was consistently drawn to, and once you recognise those patterns, you begin looking more closely. You understand what continues to hold your attention over time, and your collection begins to take shape almost without you realising it. That’s not to say I only like Swedish art, but it was the first time I realised what I was really looking for. We now curate original oil paintings sourced across Europe, with a particular love for Swedish, French, Italian and Spanish pieces.

Once you recognise what you are consistently drawn to, you begin looking more closely.

Annalise Holasz, Founder, Hue & Holasz
A mid-century Swedish oil painting - Hue and Holasz art gallary, Bath, UK - Scheme
Vintage paintings styled within the studio - Hue and Holasz, art gallery, Bath, UK - Scheme
European mid-century oil paintings, with a focus on Swedish pieces. Photography by Chelsea Dinen.

A collection built over time

If there’s a thread running through everything I buy, it’s colour. I’m fascinated by how paintings sit together and how a collection starts to take shape. I don’t collect according to rules or think too much about where a painting should fit, but I know when I want to keep looking at something. I often have to make decisions in a split second. I’ll shortlist a painting online before I’ve consciously worked out why, and I’ve definitely been that person at an antiques fair who spots something, knows it’s right and buys it before somebody else gets there. Art is a long game. Some paintings sell instantly and some take much longer. It only needs one person to fall in love with it.

A section of the collection showing the colour palettes and landscapes Annalise returns to again and again - Hue and Holasz art gallery, Bath, UK - Scheme
A selection of vintage oil paintings from the Hue + Holasz collection. Photography by Chelsea Dinen.

“If there’s a thread running through everything I buy, it’s colour.”

Annalise Holasz, Founder, Hue & Holasz

A painting is never simply something to fill a wall. I think of it as a reminder of a place, a person, a moment in time. Many people think they need specialist knowledge to buy art, but I’ve never believed that. You don’t need to know the details of an artist’s life or understand a movement to form a connection with a painting. I’ve never believed in overcomplicating it. What matters is whether you are drawn to something and want to keep looking at it. I simply hope people enjoy the pieces they buy from me, and that the paintings become part of the rooms they live in and the lives they lead.

The Collection Edit

LEARN MORE ABOUT HUE & HOLASZ
A framed painting depicts a rustic wooden building by water, surrounded by greenery under a cloudy sky. The frame is wide, distressed, and metallic, contrasting with the colorful, impressionistic landscape within.

Hue & Holasz

Red Cottage

£550
A table lamp with a cylindrical cream base featuring gold accents and a conical lampshade decorated with a yellow and white geometric pattern, set against a plain white background.

Cathy Nordström

Marianne Saffron Lampshade – Medium

£175
Oval-shaped coffee table with a light-colored, marble-patterned top and thin, dark metal legs featuring crossbars for support, set against a plain, light background.

Hyem

Stud Coffee Table – Boticcino & Dark Brass

£5,188
A woven tapestry with an abstract geometric pattern in earthy tones of pink, beige, brown, and black hangs on a white wall near a window, with a street and trees visible outside.

Sigmar

“Aavikonhiekka” Rya Rug Laila Karttunen Finland, 1930

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A modern wooden chair with curved armrests and a light-colored seat made of interwoven straps, photographed from the side against a plain white background.

Livoni 1895

Old Livoni Chair by Studio Livoni

£1,310
A wooden-framed oval mirror is mounted on a beige stone wall. The reflection shows part of a window with black grid lines and sheer curtains, adding soft light to the scene.

The Specified

Brodzki Mirror

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A vintage-style loveseat with textured brown upholstery, a curved backrest, and a decorative beige fringe along the bottom edge. The background is plain white.

Trove by Studio Duggan

Gypsy 2 Seater Sofa – Carnaby Velvet Cinnamon

£5,750
A pendant ceiling light featuring a woven, wide-brimmed rattan shade with an inverted glass dome underneath, suspended by a white cord against a plain background.

1stdibs

Rattan pendant, 1950/1960s, Finland

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Coral + Hive-Abaca Rug 2

Coral + Hive

Abaca Rug

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A rectangular wall sconce with a wooden frame and a ribbed, translucent panel emits a warm light against a plain, light-colored wall.

The Specified

Linear Wall Sconce

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Katherine Fraser - Colour Study Wall Hanging 2 - Scheme

Katherine Fraser

Colour Study Wall Hanging 2

£295
Framed impressionist painting featuring bold, textured brushstrokes depicting yellow trees, green foliage, and a colorful sky in shades of purple, pink, and orange, hanging on a plain light-colored wall.

Hue & Holasz

Golden Trees

£380